Bob Mondello en Send Out The Doves: 'Noah' Lands On Solid Ground The story of Noah's Ark is getting blockbuster treatment in Hollywood's new biblical epic <em>Noah</em>. Darren Aronofsky's film about the Old Testament shipbuilder has been sparking controversy — but there's no denying that the Great Flood, digitized, is a pretty great flood.<p>"In the beginning there was ... Fri, 28 Mar 2014 22:01:00 +0000 Bob Mondello 16234 at Send Out The Doves: 'Noah' Lands On Solid Ground Review: 'The Grand Budapest Hotel' Transcript <p>MELISSA BLOCK, HOST: <p>Filmmaker Wes Anderson makes movies that are eccentric, pointedly artificial and, to his fans, very funny. From his early comedies "Rushmore" and "The Royal Tannenbaums," to last year's Oscar-nominated "Moonrise Kingdom," Anderson's movies have looked and sounded different from everyone else's in Hollywood. And critic Bob Mondello says that streak continues with his spoof of extravagant 1930s melodramas. It's called "The Grand Budapest Hotel."<p>BOB MONDELLO, BYLINE: The hotel looks a bit like a pink wedding cake perched atop a Swiss Alp. Fri, 07 Mar 2014 21:09:00 +0000 Bob Mondello 15216 at Alain Resnais, Director And Master Of Disorientation, Dies At 91 Transcript <p>MELISSA BLOCK, HOST: <p>This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block.<p>AUDIE CORNISH, HOST: <p>And I'm Audie Cornish.<p>The French filmmaker who shook up European cinema and offered inspiration to directors as varied as Woody Allen and David Lynch died on Saturday. Alain Resnais caused a sensation with his films "Hiroshima Mon Amour" and "Last Year at Marienbad" in the 1950s and '60s. Critic Bob Mondello offers an appreciation.<p>BOB MONDELLO, BYLINE: Memory, or rather how unreliable memory can be, fascinated Alain Resnais. Mon, 03 Mar 2014 21:07:00 +0000 Bob Mondello 15020 at On Philip Seymour Hoffman, And His Many Appearances <p></p><p></p><p></p> Mon, 03 Feb 2014 22:20:00 +0000 Bob Mondello 13767 at On Philip Seymour Hoffman, And His Many Appearances Peter O'Toole, Exuberant From 'Lawrence' To His Last Role Blond, blue-eyed and wearing blazing white robes in <em>Lawrence Of Arabia</em>, Peter O'Toole was handsome enough — many said beautiful enough — to carry off the scene in which director David Lean simultaneously made stars of both his title character and his leading man.<p>The scene: a wrecked train, blown up by Lawrence and surrounded by his Bedouin followers, one of whom has just smashed a news photographer's camera. O'Toole's Lawrence explains that the man thinks the camera will steal his soul. Mon, 16 Dec 2013 07:55:00 +0000 Bob Mondello 11643 at Peter O'Toole, Exuberant From 'Lawrence' To His Last Role