David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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9:49am

Fri October 25, 2013
Movie Reviews

In Emotionally Charged 'Blue,' Sex Is Graphic, But Not Gratuitous

Originally published on Fri October 25, 2013 12:30 pm

Blue Is the Warmest Color chronicles the love affair between high school student Adèle (Adèle Exarchopoulos, left) and Emma (Léa Seydoux), who is older and more experienced.
IFC Films/Sundance Selects/Wild Bunch

Blue Is the Warmest Color is a lesbian coming-of-age movie, and its long and graphic sex scenes have already generated controversy. The director, Abdellatif Kechiche, is a man, and at least one prominent female critic has accused him of leading with his own libido — a charge that I vigorously dispute, but of course I'm a man so take that as you will. Here's what I saw: a film that captures the intensity of sexual discovery — and dependency — in a way I've never seen. It's 179 minutes, every one of them charged. It's a remarkable experience.

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9:50am

Fri October 18, 2013
Movie Reviews

At Home At Sea: Robert Redford, At His Best Alone

Originally published on Fri October 18, 2013 1:38 pm

Robert Redford stars in All Is Lost as a solitary man struggling to make his yacht seaworthy again after it collides with a rogue shipping container adrift in the Indian Ocean.
Richard Foreman Roadside Attractions/Lionsgate

As I watched Robert Redford acting all by himself in the superlative survival-at-sea movie All Is Lost, I suddenly realized why the setup feels so perfect: Redford is most in his element when he's alone.

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10:11am

Fri October 11, 2013
Movie Reviews

A Pirate Saga More Sobering Than Swashbuckling

Originally published on Fri October 11, 2013 11:52 am

Barkhad Abdi (middle) plays Muse, the leader of a band of Somali pirates who take over a freighter in Captain Phillips.
Hopper Stone Columbia Pictures

Most kidnapping melodramas have final scenes — after their climaxes — that are, effectively, throwaways. There are sighs of relief, tearful reunions with families, cameras that dolly back on domestic tableaux to suggest the world has at last been righted.

I think it's telling that in Captain Phillips the most overwhelming scene is after the resolution, in the infirmary of a ship. So much terror and moral confusion has gone down — so much pain — that the cumulative tension can't be resolved by violence. The movie's grip remains strong even when it cuts to black.

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11:58am

Fri October 4, 2013
Movie Reviews

Houston, We Have A Space Flick: A Sentimental Mission In Zero 'Gravity'

Originally published on Fri October 4, 2013 12:51 pm

In Alfonso Cuaron's Gravity, Sandra Bullock plays Ryan Stone, an astronaut careening through space after an accident.
Warner Bros.

In a season in which we're all talking about AMC's phenomenal Breaking Bad and Netflix's elating Orange Is the New Black, Hollywood needs you, your kids and everyone in Europe and China to get out from behind those TV monitors and into theaters. Movie studios are falling behind on compelling narratives. But they can give you what TV can't: absolute, total bombardment.

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9:55am

Fri September 27, 2013
Movie Reviews

Gordon-Levitt's 'Don Jon' Is An Openhearted Directorial Debut

Originally published on Fri September 27, 2013 12:15 pm

Joseph Gordon-Levitt --€” in his writing and directing debut --€” plays Jon, a porn addict with no interest in relationships until Barbara (Scarlett Johansson) changes things.
Relativity Media

In phe last decade, Joseph Gordon-Levitt has worked hard to establish himself as a serious actor, and he's been so successful it's easy to forget he came of age in the '90s sitcom 3rd Rock from the Sun. The guy has comedy chops, and he's exercising them again in a smart new movie he wrote and directed called Don Jon.

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