David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
1:01 pm
Thu June 27, 2013

Two Master Moviemakers, Two Singularly Fine Films

Saoirse Ronan plays Eleanor, an ancient (and uncharacteristically ethical) vampire in Neil Jordan's Byzantium.
IFC Films

The decade of the 1980s — when major corporations made their presence more felt in Hollywood — was for all kinds of reasons a low point in American moviegoing. But two beacons abroad, Pedro Almodovar and Neil Jordan, reminded us with movies like Law of Desire, Women on the Verge of a Nervous Breakdown and Mona Lisa how films could be personal and still reach a large (or large-ish) audience.

Thirty years later, we have Almodovar's I'm So Excited and Jordan's Byzantium — and these directors are still shining a light.

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Movie Reviews
11:03 am
Fri June 14, 2013

Whedon's Touch Finds A Match With 'Much Ado'

Fran Kranz stars as Claudio in Joss Whedon's new take on Shakespeare's classic comedy Much Ado About Nothing.
Elsa Guillet-Chapuis Roadside Attractions

Originally published on Fri June 14, 2013 11:31 am

One word sums up my reaction to Joss Whedon's film of Shakespeare's Much Ado About Nothing: Huzzah!

Here is the creator of Buffy the Vampire Slayer — and the director of The Avengers — working with American TV actors who have little or no training in verse-speaking. Who could have predicted such a team would produce the best of all filmed Shakespeare comedies?

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Movie Reviews
11:29 am
Fri May 31, 2013

Rediscover Your Inner Anarchist In The Anti-Corporate 'East'

In The East, Ellen Page (left) and Alexander Skarsgard play members of an anarchist eco-terrorist collective.
Fox Searchlight

The second collaboration between writer-director Zal Batmanglij and actress and co-writer Brit Marling is called The East, which happens to be the name of the movie's anti-corporate terrorist cult. Marling plays Sarah, an agent who infiltrates the group. She doesn't work for the FBI. Her employer is a private security and intelligence firm run by the sleek, profit-oriented Sharon, played by Patricia Clarkson. Its clients are Big Pharma, Big Oil, or Big Rich Any Corporation that, according to the group The East, poisons the world and everyone in it.

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Movie Reviews
10:31 am
Fri May 24, 2013

Two New Stories With A New-Wave Vibe

Ethan Hawke and Julie Delpy reprise their roles as Jesse and Celine in Before Midnight, the latest in Richard Linklater's series about a couple's relationship over the years.
Despina Spyrou Sony Pictures Classics

Lately I've been re-watching vintage Truffaut movies, and I've been struck by the resurgent influence on American independent films of the French New Wave of the late '50s and '60s.

The Truffaut borrowings are fairly explicit in Noah Baumbach's Frances Ha, while Richard Linklater's Before Midnight takes its cues from Eric Rohmer's gentle but expansive talkfests. That's not a criticism: With mainstream movies seeming ever more machine-tooled nowadays, the impulse to reach back to an age of free-form filmmaking feels especially liberating.

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Movie Reviews
10:32 am
Thu May 16, 2013

'Into Darkness,' Boldly And With A Few Twists

Zoe Saldana is Uhura and Zachary Quinto is Spock in the new J.J. Abrams-directed Star Trek: Into Darkness, the 12th installment in the franchise.
Zade Rosenthal Paramount Pictures

Originally published on Thu May 16, 2013 12:04 pm

Before I tell you about J.J. Abrams' second Star Trek film, with its youngish new Starship Enterprise crew, let me say that just because I've seen every episode of the original Star Trek and of The Next Generation, and most of the spinoff series, and every movie, I'm not a Trekkie — meaning someone who goes to conventions or speaks Klingon or greets people with a Vulcan salute.

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