Milo Miles

Milo Miles is Fresh Air's world-music and American-roots music critic. He is a former music editor of The Boston Phoenix.

Miles is a contributing writer for Rolling Stone magazine, and he also writes about music for The Village Voice and The New York Times.

Can you re-invent lively pop from the distant past? Fresh Air music critic Milo Miles says the songwriting team Tennis does just that with their new third album, Ritual in Repeat.

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Transcript

TERRY GROSS, HOST:

In the early 1960s when soul star Sam Cooke had his own record label, SAR, he recorded songs by his younger brother, L.C. Cooke. Ten of the tracks were supposed to become L.C.'s debut album in 1964. The release was postponed, then Sam Cooke was killed, SAR went out of business and L.C.'s album fell into limbo. Now, 50 years later, The Complete SAR Records Recordings has appeared. Fresh Air critic Milo Miles examines this lost piece of history.

The New York City band Golem describe their music as punk-klezmer. Music critic Milo Miles says that on the group's new album, Tanz, they mange to find new ways to balance urban irreverence with folk tradition.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVE DAVIES, HOST:

The same week that Neil Young introduced his Pono music player designed to spark a huge boost in audio fidelity, I listened for the first time to a recording of a Grateful Dead concert I attended almost 40 years ago. And I realized that passions about good-sounding music go through cycles. Today, the lo-fi medium is MP3s through earbuds.

The appearance of Penny Penny's Shaka Bundu in the American market is welcome not only in itself, but also as a sign of a larger trend. Five or six years ago, it was clear the music business was going into long-term sales decline, and I was certain that a prime victim of that would be African pop. The established imports of the '80s and '90s would be available as MP3 downloads, but surely new discoveries and reissues would slow to a trickle, if not cease altogether. I'm grateful that that has simply not happened.

Long ago, one of my college history professors hammered home a durable truth: "If you love art," she said, "you should hate war." Because some art is always among war's victims.