Robert Krulwich

Robert Krulwich works on radio, podcasts, video, the blogosphere. He has been called "the most inventive network reporter in television" by TV Guide.

Krulwich is a Science Correspondent for NPR. His NPR blog, "Krulwich Wonders" features drawings, cartoons and videos that illustrate hard-to-see concepts in science.

He is the co-host of Radiolab, a nationally distributed radio/podcast series that explores new developments in science for people who are curious but not usually drawn to science shows. "There's nothing like it on the radio," says Ira Glass of This American Life, "It's a act of crazy genius." Radiolab won a Peabody Award in 2011.

His specialty is explaining complex subjects, science, technology, economics, in a style that is clear, compelling and entertaining. On television he has explored the structure of DNA using a banana; on radio he created an Italian opera, "Ratto Interesso" to explain how the Federal Reserve regulates interest rates; he has pioneered the use of new animation on ABC's Nightline and World News Tonight.

For 22 years, Krulwich was a science, economics, general assignment and foreign correspondent at ABC and CBS News.

He won Emmy awards for a cultural history of the Barbie doll, for a Frontline investigation of computers and privacy, a George Polk and Emmy for a look at the Savings & Loan bailout online advertising and the 2010 Essay Prize from the Iowa Writers' Workshop.

Krulwich earned a Bachelor of Arts degree in history from Oberlin College and a law degree from Columbia University.

Bats produce "pings" or "clicks," right? They make these high-pitched sounds, too high for us to hear, but when their cries ricochet off distant objects, the echoes tell them there's a house over there, a tree in front of them, a moth flying over on the left. And so they "see" by echolocation. That's their thing. They are famously good at it.

This being my last weekend with this blog, I wanted to repost a story I wrote a few years ago that has continued to intrigue me ...

I'm going to show you two kinds of nothing.

I know, I know. You have Putin to worry about, ISIS to worry about, Britain's near breaking, Washington's broken, and the globe keeps getting warmer — so why bring up Japanese giant hornets? You have worries enough. But I can't help myself. I've got to mention these hornets because, as bad as they are — and they are very, very bad ...

... this story has a happy ending.

Hornets From Hell

If you have ever seen, or spent time with (or, God forbid, had to live with) a colicky baby, this will make perfect sense to you. It may not make actual sense, but when the baby is crying you don't think very straight.

Every year on Sept. 11, this happens ...

When it gets dark, New York City turns on 88 7,000-watt xenon light bulbs to produce two powerful beams that shoot up, side by side, to remind us that once upon a time, two towers stood here, and then didn't, and this is how we remember the day they came down — by looking up.

When I was a boy I had a globe. I could take it in my hands, rest it on my lap, give it a spin and look down on Africa, Europe, North America and Asia spinning by.

It's a puzzle — the deepest puzzle I know. The question is: What are we?

One answer, from physicist-novelist Alan Lightman, is we are stuff. Just stuff.

What's going on here, I can only guess, but here's what you're about to see: In the video below, the great musician Glenn Gould, supreme interpreter of Bach, is sitting at his living room piano on a low, low chair, his nose close to the keys. He's at his Canadian country house in his bathrobe.

Magic carpets you know about. Aladdin had one. But how about this?

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