All Songs Considered

Sundays at 9pm
Bob Boilen & Robin Hilton

All Songs Considered is home the best new music and a community of fans always ready to share their opinions on the current music scene. You can contact the hosts, Bob Boilen and Robin Hilton (and the team), directly via our contact form. To submit your music, just email us a link to your favorite original song. (Please do no attach mp3s to emails.)



  • Tuesday, July 22, 2014 2:23pm

    Note: This version of the podcast corrects a mistake we made with The Rentals song. The correct song is "1000 Seasons."

    We kick off this week's episode of All Songs Considered with the sludgy, shoegaze-y sounds of Whirr, a band started by Nick Bassett, bassist for one of co-host Robin Hilton's favorite acts of 2014, Nothing. We follow up with a new track from The Bots, two young brothers from L.A. whose "All I Really Want" is a two-minute sugar rush of high-powered pop-punk.

    Later on the show we welcome NPR Music's Daoud Tyler–Ameen and Jacob Ganz to the studio to play some of their favorite new tunes. Daoud opts for "Explanation," a punchy rock number from Ohio trio Delay, while Jacob plays Perfume Genius' surging new track "Queen."

    Daoud and Jacob stick around as Robin puts on "Hegemony," a super-melodic, percussion-heavy track from Zammuto, the project of The Books' Nick Zammuto, recorded in a Vermont shed. Finally, Bob rounds out the show with a premiere from long-dormant rock group The Rentals, called "It's Time To Go Home" that features Jess Wolfe and Holly Laessig of Lucius on vocals. Taking the words to heart, the studio empties out with the last ringing chord.

  • Tuesday, July 15, 2014 11:02am

    On this week's All Songs Considered, Bob kicks off the show with The Juan MacLean's "A Place Called Space," an ecstatic dance-rock number from the group's upcoming album In A Dream. Seeking to find a subdued yin to Bob's euphoric yang, Robin premieres London producer The Bug's "Void," the opening track to his upcoming album Angels and Devils.


    Following The Bug's stark soundscapes, resident classical music guru Tom Huizenga appears at the studio door, life-size cut out of opera singer Maria Callas under his arm, to play a composition by the Arcade Fire's Richard Reed Parry called "French Guitars." The piece, which features The National's Bryce and Aaron Desner, has no prescribed tempo or time signature — instead, the musicians count time using stethoscopes strapped to their chests.


    The show continues in a more fist-pumping mood with premieres from folk singer-turned-experimental artist Sarah Jaffe and electro-funk maestro Sinkane, along with Robert Plant's "Rainbow" from his upcoming release lullaby and...the Ceaseless Roar. Last, blessedly safe from the blazing noon sun outside, Bob takes us out with "Summer Noon," a sweet and airy song from Tweedy, the new group led by by Wilco frontman Jeff Tweedy and featuring his teenage son Spencer on drums (Scott McCaughey of The Minus 5 plays piano and Jess Wolfe and Holly Laessig of Lucius sing on the track). The song will appear on Tweedy's album Sukierae as well as the soundtrack to Richard Linklater's film Boyhood.

  • Wednesday, July 9, 2014 9:53am

    This version of the July 8, 2014 episode includes a correction. Robin says, "I'm an idiot. Broncho's name is pronounced 'BRAWN-cho,' not 'BRAWN-koh.'"  Bob says, "An intern could have done better."

  • Tuesday, July 8, 2014 2:03pm

    On this week's All Songs Considered: After some speculation on Pink Floyd's just-announced album The Endless River, Robin kicks off the show with Broncho's "Class Historian," which he describes as the most immediately catchy song he's heard all year. Not to be out-catchied, Bob retaliates with Rubblebucket's "Carousel Ride," from the band's upcoming release Survival Sounds. Full of explosive synthesizers and melodies made to climb the charts, it gives Robin a run for his money.

    Bob also plays Brian Eno and Karl Hyde's trance-inducing "DBF," from the pair's recent LP, High Life, and follows that with the gentler yet equally hypnotic "Lonestar," by the Baltimore duo Peals (which is led by members of Future Islands and Double Dagger). Keeping the peaceful mood going, Robin plays "The First Time," the tranquil opening track to singer-songwriter Matt Kivel's Days of Being Wild, released today.

    Bob and Robin close out the show with Coldplay and Cat Power's unexpected collaboration "Wish I Was Here," from the soundtrack of Zach Braff's upcoming film of the same name. After such a frenetic first half to the show, "Wish I Was Here" is the slow, soothing finale. When it's over, everyone is ready for a cuddly nap.

  • Tuesday, July 1, 2014 11:52am

    On this week's All Songs Considered we've got new music from Bon Iver, Luluc and White Fence, plus a look at a few of our favorite artists from the first half of the year.

    After ruminating on the challenges of potty-training with co-host Robin Hilton, Bob Boilen kicks off the show with a brand-new track from Bon Iver that appears on the soundtrack to Zach Braff's upcoming film, Wish I Was Here. Featuring a mantra-like vocal loop and pulsating drums, 'Heavenly Father' possesses the intimacy of For Emma, Forever Ago while also exploring new textures as well. Next, Robin premieres "Small Window," a gorgeously understated track from the folk duo Luluc.

    Later in the show Bob and Robin put in a call to NPR Music's Anastasia Tsioulcas and Frannie Kelley in New York City to play some of their favorite songs of the first half of the year; Anastasia chooses the Belgian chameleon Stromae (whose name is an inversion of the word "Maestro"), playing 'Ave Cesaria' from his recent release Racine Carrée. Frannie opts for 'Broken,' a cut from Piñata, the collaboration between the raw-voiced rapper Freddie Gibbs and the meticulous DJ and producer Madlib. Later, Bob and Robin also lure NPR Music's Lars Gotrich away from his desk and into the studio to shine some light on the state of metal in 2014: Lars plays 'I Will Run,' a melodic hard-rocker from Chicago's High Spirits.

    Robin wraps things up with White Fence's 'Like That,' the first tune we've heard from the California garage-rockers upcoming record For the Recently Found Innocent. With its catchy chorus and falsetto vocals, it takes Robin to a place of peace, and if only for a brief moment, he forgets whatever dirty diapers await him at home.