Arts

Today on CrossCurrents, Gary Steuer, the President and CEO of the Bonfils-Stanton Foundation of Denver.

The Bonfils-Stanton Foundation, based in Denver, says it works on arts and leadership to help build a vibrant community in Colorado.

In August, the Anderson Ranch Arts Center in Snowmass Village hosted Making the Change They Want to See, a symposium featuring artists who are tackling social injustices through film, sculpture, photography, and performance. Steve McQueen, Academy Award-winning Director of 12 Years a Slave, was the keynote speaker. McQueen talks about his evolution through art and filmmaking, offers his advice to young artists, and discusses his new work.

Dennis and Debra Scholl are committed patrons of the arts and will be recognized for their patronage at the Anderson Ranch Annual Recognition Dinner on Saturday, July 19th at the Hotel Jerome in Aspen. We talk to the Scholls about their contemporary collections,  generous gifts, and projects in the art world.

Learn more about the Recognition Dinner HERE.  And find out more about featured visiting contemporary artists at the Anderson Ranch Arts Center HERE

Carbondale Clay Center has been a fixture in Carbondale's art community for 17 years. Founding Director, Diane Keanie, and Advisor to the Board of Directors, Doug Casebeer, share the history of the clay center and how the center has become an asset to the community. 

To learn more about the history and programs of the Carbondale Clay Center, visit their website: www.carbondaleclay.org.

Angie Callen is the Executive Director of Aspen's Red Brick Center for the Arts (Aspen Public Radio's landlord). Angie talks about all the changes to the facility and the programs, including what's coming this summer.

http://www.aspenart.org/

Christine Sneed is a graduate of the MFA creative writing program at Indiana University and has published stories in Best American Short Stories, PEN/O. Henry Prize Stories, New England Review, The Southern Review, Ploughshares, Pleiades, Glimmer Train, Massachusetts Review, Meridian, Other Voices, Greensboro Review, River Styx, Phoebe, South Dakota Review, and many other journals. Her first novel is Little Known Facts.  Her short story collection Portraits of a Few of the People I've Made Cry won a Grace Paley Prize in 2009.

Alya Howe, local dancer and co-curator of the Salon at Justice Snows. Alya is an award-winning dancer and choreographer who’s performed around the world.

Mountain Valley Developmental Services sets itself apart from similar organizations with their two major projects: Art on 8th and their greenhouse. Art on 8th is a gallery on 8th street in Glenwood Springs that sells woven goods made by weavers with developmental disabilities (who also receive services from Mountain Valley) and proceeds go back into Mountain Valley programs. The greenhouse project is a collaborative effort with neighboring Sopris Elementary School, where students and adults with developmental disabilities work together in the greenhouse; growing fresh food and learning sustainable horticultural techniques. Bruce Christensen, Executive Director, and Dana Peterson, Director of Human Resources, of Mountain Valley, discuss these two projects. 

On Tuesday, most voters said “no” to big tax increases locally and statewide. A CSU political science professor says anti-tax activists are growing in their influence.

One measure that did pass taxes retail marijuana to raise money for schools. As pot becomes more available in the state, one youth non-profit is worried.

A warming climate is changing ecosystems in the Roaring Fork Valley and one local government is using open spaces to gather data on what’s happening.

A new art display at the Wyly Art Center in Basalt features the work of a self-taught painter.  Despite being silenced by Alzheimer’s, Winifred Wyman is speaking through paint.

Also today on the Road to Sochi, Aspen native Simi Hamilton works to make the 2014 winter Olympic team. The Nordic ski racer specializes in sprinting.

That’s coming up on Mountain Edition.

Poem: Time Machine

Nov 5, 2013
Marjorie DeLuca

In the hours between dog and hyena,
they still serve lunch to a certain crowd.

He toddles in with his baggage:
a cane an oxygen tank a man-purse

an ample wife and her sister leading the way.
The machine that was the man is now

rusting, teeth rounded off the gears of time.
They take their time, as time is

all they have left, and with much animus
and screeching of sliding chairs

the women choose a table to our side.
He is not there. I am not here.

I know this man. Years of
running a business,

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